By C. Franken
This e-book considers the paintings of the novelist and critic A.S. Byatt within the context of up to date debates approximately paintings, authorship, creativity, and gender. A.S. Byatt emerges as an writer who provides us with interesting and ambivalent graphics of writers and who makes use of metaphors of creativity in unique methods.
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Additional info for A. S. Byatt: Art, Authorship, Creativity
In the process, however, George Eliot became impersonalized and thereby de-feminized. In her critical work on George Eliot, Byatt counters this critical move, not only by integrating ‘the woman’ Eliot with ‘the artist’ and ‘the intellectual’ but also by strongly identifying with her as a woman writer and a female critic. Terry Lovell has pointed to the masculine imagery prevailing in Leavis’s work, in which male teachers of literature are compared to ‘missionaries, armies, warriors, crusaders’; ‘a veritable secular church militant’ as Lovell calls it.
In the ﬁrst part the characters are introduced: Caroline Severell is married to Henry Severell, a famous novelist. They have two children – Jeremy and Anna. Anna, who is 17 years old, is living at home after having been expelled from her boarding school for running away to York. She has a lot of time on her hands to consider her future; becoming a novelist is one of her options. The Severell family is joined by Margaret Canning and her husband Oliver Canning. Oliver Canning works at Cambridge University and is an expert on Henry Severell’s work.
At Cambridge she was working on a doctoral thesis on Neoplatonic creation myths, but had to give up her research and writing when she married. Her own mother before her had had to give up a career as a teacher at the end of the war when ‘normal’ society resumed its course. Byatt’s mother acted out her frustration on her children who, as a result, were determined to lead different lives. However, Byatt’s grant was taken from her upon her marriage – ‘men in my position had their grants increased, to provide for their households’ (p.
A. S. Byatt: Art, Authorship, Creativity by C. Franken