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By Jerry Mander

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7 Production and Contexts for The Jetsons Television in 1960s USA was relatively young and receptive to the exploration of new genres. Nevertheless, The Jetsons was essentially conservative in terms of science fiction narratives and otherworldly scenarios, due to its modeling on The Flintstones. Unlike science fiction films of the 1950s depicting 16 Rebecca Coyle and Alex Mesker threat and danger from planetary invasions, The Jetsons was predominantly utopic, focusing on minute aspects of the everyday in a futuristic locale and representing home comforts, relatively tame family crises, and domestically oriented conflicts.

Brown, “Film Musings,” Fanfare: The Magazine for Serious Record Collectors 23, no. 6 (July 2000), 369–60. The CD set Brown reviews is Twilight Zone: The 40th Anniversary Collection (Silva Treasury, SID 2000). Chapter 2 Time Warp Sonic Retro-Futurism in The Jetsons Rebecca Coyle and Alex Mesker Introduction The Jetsons premiered on the USA’s ABC network in September 1962. Its first series of twenty-four episodes of TV animation was broadcast on Sunday evenings, until March 1963. After losing its primetime slot, the series was rerun on Saturday mornings and established a significant following.

A “nonsense” song that results from George Jetson’s act of sabotage on Judy’s entry into a songwriting competition. The Jet Screamer character parodies youth culture with a modified form of the contemporary style of rock music, one that foreshadows subsequent acts like The Monkees (a pop rock group whose TV series aired 1966–8). The “strangeness” of Screamer’s music was conveyed through dominating percussion, dissonance, free key and non-standard time-signature melodic riffs, verbal commentary (“Baby!

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4 buenas razones para eliminar la tv by Jerry Mander


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